david reinfurt

David Reinfurt of O R G and Dexster Sinister came in to talk to my seminar on the Architecture Machine Group today to discuss his work with the Center for Advanced Visual Studies at MIT and his research on designer Muriel Cooper, the first designer for MIT press and the Founder of the Visible Language Workshop at the MIT Media Lab. Cooper is responsible for the MIT Logo as well as for the first edition of Learning for Las Vegas among many other projects. All of the preceding links go to David's work and are well worth following up.

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how spam works

Why are you getting so much spam these days? eWeek has an interesting piece on how a spam operation works [via Slashdot ]. Precisely why is a mystery to me. Is there really that much money in spam? Who is so stupid to think that their penis will grow if they respond to these ads or that their penny stock advice is sound? Apparently plenty of people are, as this 2003 piece from Wired shows. Still, it seems to me that there is something almost religious about spam. Spam, above all, is a desire to submit to Ether, both by spammers, who speak into the void and spam-responders, who must certainly number among the true children of God in their desire to believe.

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desert america @ columbia university gsapp

On Monday, November 20, 2006 at 6:30pm, I will be speaking as part of the American launch of Desert America: Territory of Paradox , a new book from ACTAR in which I have a piece about the Mojave desert and SpaceShipOne while AUDC analyzes the instant city of Quartzsite, Arizona.

The press release follows:

Desert America takes on the discussion of the American desert as a space of extreme uses and activities. The desert is a huge paradox: beneath the immensity and silence of its outward appearance, the traces of all kinds of activities, experiments, mysteries, fictions and utopias can be heard. Far from being “empty,” the desert is full of an uninhibited, excessive activity that encompasses everything from oases of entertainment to the secret staging of military power. The most hostile and seemingly uninhabitable of environments turns out to be an ideal setting for action.

Speakers:

Michael Bell, ASSOCIATE PROFESSOR OF ARCHITECTURE, GSAPP
Sanford Kwinter, ASSOCIATE PROFESSOR OF ARCHITECTURE, RICE UNIVERSITY
Kate Orff, DIRECTOR, URBAN LANDSCAPE RESEARCH LAB, GSAPP
Kazys Varnelis, DIRECTOR, NETWORK ARCHITECTURE LAB, GSAPP
Moderated by Michael Kubo, DIRECTOR, ACTAR NEW YORK

Event co-sponsored by ACTAR to celebrate the publication of its new title, Desert America: Territory of Paradox.

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buffalo, 2006 becomes los angeles, 1994

Now on realplayer, the University at Buffalo's Nees@Buffalo Testing facility is streaming video that simulates a hit by the 1994 Northridge quake. A wood-framed, stucco covered town house will be subject to a 6.7 magnitude earthquake generated by a massive shake table. See the LA Times. As the director of the center just said, this building is designed to a certain specification. This is beyond that, this is a big one.

Broadcasting began at 10.45am EST and will continue through the test at 11.30am with a post-test inspection afterwards.

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ACTAR event at Van Alen, Thursday 16 November, 6.30-9.30pm

actar logo ACTAR is launching its New York office on Thursday the 16th, from 6.30 to 9.30pm at the Van Alen Institute. Come see Blue Monday, AUDC's first book as well as a preview of Infrastructural City: Los Angeles, which I am editing as a co-production of the NetLab and the Los Angeles Forum for Architecture and Urban Design.

 


OPENING RECEPTION
Thursday, November 16, 2006, 6:30 ”“ 9:30 pm

EXHIBITION
Thursday, November 16 ”“ Friday, November 24, 2006

Van Alen Institute is located at 30 W. 22nd Street, 6th Floor. Take the Q, N, R or F, V trains to 23rd Street.

Hit read more for the invite text.

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commuting and class war or, lead us not into penn station

The New York Observer reflects on the great class war between Grand Central Terminal and Penn Station. Connecticut vs. Jersey and Long Island, Bon Jovi vs. Mozart, the Sopranos vs. Philip Johnson.

I, of course, am partial to the last stomping ground of Louis Kahn which after two months of commuting from Montclair to Columbia is beginning to make some sense to me.

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