Hot off the presses, my new article "The Architecture of Hertzian Space" has just appeared in issue 2008:5 of A+U. It's my first time in A+U and I am absolutely delighted that it's the lead article. 

Above, Osman and Omar Khan's fantastic project "Fruits of Our Labor," which I discuss in the article.

I noted two interesting stories about technology gone awry in the last week.

The first is about the misuse of GPS technology in Europe. Looking for shortcuts, truck drivers use GPS devices with maps that don't adequately show just how small streets in older towns really are. The results are dangerous conditions and traffic jams as giant trucks wander into historic villages. See here.

The second explores the consequences of mobile phone use in automobiles and how a study now prove it makes traffic worse, which of course creates a feedback loop. See here.

Derek Lindner points out that Levitt & Sons is bankrupt. See here and the IHT.

Thanks to the intelligent comments we've received from Enrique and Javier (and Mark) with regard to Mark Jarzombek's guest post. As something of a response to that post, I'd like to submit the following article: Where r u? Cell phones keep tabs. Over 50% of the mobile phones today have geolocation features built in. Enable them and you can track your kids or Big Brother can track you. Another article notes how automobiles can also be fitted with GPS devices that allow for concerned parents (and others) to track where their teenagers (or whoever…) drive.

What does this have to do with Mark's post? Well, transparency is a driving force of architecture culture today, maybe even more so than it was in the days when Hannes Meyer proposed his 1927 competition entry for the League of Nations (below).

But the Apple Store makes visible nothing—the real business is conducted underground, out of site to the passerby.

So, too, the articles that I started off with demonstrate that our culture is far from one of visibility. We live in a world dominated by invisible forces: by the shadowy military-industrial complex that Mark Lombardi sought to expose, by the secret room from which the NSA monitors network traffic at the AT&T complex in San Francisco, by a government outside the Constitution's system of checks and balances that can put you on a no-fly list or detain you in Guantanamo without ever telling you why.

So my first response to Mark's post then, is to ask if the questions about contemporary architecture culture that he raises are disciplinary in nature or if they are also not symptomatic of a widespread ideology that has overtaken our culture. Never before have we been so willing to give ourselves up to others, be they credit bureaus, our employers (urine, please, and some hair too), or the government. But if the cells at Camp X-Ray are transparent, remember that the prisoners within them are deprived of their sight and hearing. Our situation may be less dire, but isn't all that dissimilar. Strangely, projects about tracking and surveillance that architects did in the days of "theory" suddenly seem so relevant... Above all, not however being critical today (indeed, not being critically utopian…which also includes critically dystopian of course!) seems like the worst position we can take.

Video and audio of many of the lectures from the Architecture and Situated Technologies symposium put together by Omar Khan, Mark Shepard, and Trebor Scholz at the Architectural League this fall is now online at the symposium site.

My own talk, "Almost Nothing: Two Ways to Program Things" can be found here.

I am happy with the way the podcast turned out and am thinking about putting together more podcasts on this site this year, including perhaps an entire course or two this spring.

From Thursday to Saturday, 19-21 October, 2006, I will be taking part in the Architecture and Situated Technologies symposium @ The Urban Center and Eyebeam, NYC.

Here is the description from the organizers of this promising event:

Since the late 1980s, computer scientists and engineers have been researching ways of embedding computational intelligence into the built environment. Researchers at Xerox Palo Alto Research Center (PARC) began to look beyond the model of personal computing, which placed the computer in the foreground of our attention, to one of “ubiquitous” computing that takes into account the contingencies of human environments and allows computers themselves to vanish into the background. Recently, the UN released a report produced by the International Telecommunications Union predicting an “Internet of Things”, where the “users” of the Internet will be counted in billions and where humans may become the minority as generators and receivers of information. As GPS modules, RFID tags, sensors, and actuators are becoming available in ever smaller packages, everyday objects and spaces are being networked with computational intelligence. Current research has focused on how situational parameters inform the design of these technologies. Incorporating an awareness of cultural context, accrued social meanings, and the temporality of spatial experience, situated technologies privilege the local, context- specific and spatially contingent dimension of their use.

This symposium, organized around the notion of an "encounter," will attempt to articulate new research vectors, sites of practice, and working methods for the confluence of architecture and situated technologies. What opportunities and dilemmas does a world of networked objects and spaces pose for architecture, media art, and computing? What post-optimal design strategies and tactics might we propose for an age of responsive environments, smart materials, embodied interaction, and participatory networks? How might this evolving relation between people and "things" alter the way we occupy, navigate, and inhabit the built environment? What is the status of the material object in a world privileging networked relations between "things"? What distinguishes the emerging urban sociality enabled by wireless communication technologies? How do certain social uses of these technologies, including (non-) affective giving, destabilize rationalized "use-case scenarios" designed around the generic consumer? How do distinctions between space and place change within these networked media ecologies?

Through a combination of workshops, presentations, and panel discussions, the symposium will attempt to stage a set of encounters between invited participants, an audience encouraged to participate, and the City of New York.

Organised by: Omar Khan, Trebor Scholz, and Mark Shepard

Participants include Jonah Brucker-Cohen, Richard Coyne, Karmen Franinovic, Michael Fox, Anne Galloway, Charlie Gere, Usman Haque, Peter Hasdell, Natalie Jeremijenko, Sheila Kennedy, Eric Paulos, Mette Ramsgard Thomsen and Kazys Varnelis.

Co-Produced by: The Center for Virtual Architecture, The Institute for Distributed Creativity, and the Architectural League of New York

Reservations/advance ticket purchase are required.

At BLDGBLOG, Geoff Manaugh interviews me about AUDC, the Columbia NetLab, architecture, urbanism and other matters. See The Logistics of Distance.

Why has this blog been so barren lately? Am I giving up on the Net? No! Far from it. I have, however, been a little busy lately. Now that the project is safely established, we can announce that...

AUDC Establishes Network Architecture Lab

@ Columbia University Graduate School of Architecture, Planning, and Preservation

Formed in 2001, AUDC [Architecture Urbanism Design Collaborative] specializes in research as a form of practice. The AUDC Network Architecture Lab is an experimental unit at Columbia University that embraces the studio and the seminar as venues for architectural analysis and speculation, exploring new forms of research through architecture, text, new media design, film production and environment design.

Specifically, the Network Architecture Lab investigates the impact of computation and communications on architecture and urbanism. What opportunities do programming, telematics, and new media offer architecture? How does the network city affect the building? Who is the subject and what is the object in a world of networked things and spaces? How do transformations in communications reflect and affect the broader socioeconomic milieu? The NetLab seeks to both document this emergent condition and to produce new sites of practice and innovative working methods for architecture in the twenty-first century. Using new media technologies, the lab aims to develop new interfaces to both physical and virtual space.

The NetLab is consciously understood as an interdisciplinary unit, establishing collaborative relationships with other centers both at Columbia and at other institutions.

The NetLab begins operations in September 2006.

As a culmination to the Networked Publics program, the faculty research group that I have been working at for the last year, we will be publishing a collaboratively written group book with the MIT Press. Three of drafts of our essays are finished (on place, culture, and politics) and available online at the Networked Publics site.

Throughout the Networked Publics program, we have tried to employ collaborative scholarship whereever possible and effective. Readers, colleagues, and friends are invited to to contribute by posting comments at the end of each essay (note that easier to read versions of the essays can be also be downloaded from the appropriate pages). Our hope is to take the comments that we receive and append them to the essay in a virtual symposium to follow each chapter.

How do Mapquest and Google maps work and where did they come from? Nick Paumgarten investigates in this article on the science of driving directions in a recent issue of the New Yorker.

Even as network culture displaces postmodernism, Jameson's aesthetic of cognitive mapping is flourishing. Critical spatial practice has gathered a huge collection of critical mapping projects and essays about mapping today. And if you haven't seen it, of course you should visit the essay that Marc Tuters (one of the coiners of the term 'locative media') and I wrote for the Networked Publics group, Beyond Locative Media.