One month ago, I announced that I’d re-introduce the Networked Publics book to my readers, chapter by chapter. In the meantime I’ve been hard at work on that book, the Johnson Tapes, and the Infrastructural City. Networked Publics achieved another milestone yesterday as MIT finished my corrections to the copy edits that they made to the text. So far, my experience with the press has been stellar. I’m a big fan.
Today I’d like to turn to the text that Anne Friedberg and I co-wrote on Place. To introduce it, I’d like to recall a conversation I had with Mark Shepard last night. Mark is a brilliant professor with a joint appointment in architecture and media studies at the University of Buffalo. His Tactical Sound Garden is an amazing project that employs locative media while it avoids the kind of heavy-handed instrumentalism that so many locative media projects embrace (aside: I really hope it gets realized for a broad audience with the opening up of the iPhone SDK). Curiously, Mark and I were in architecture school together at Cornell, sitting two desks away from each other. But circumstances are just that, the milieu certainly did little encourage us in this direction, unless perhaps it provoked a counter-reaction.
In any event, Mark clarified my own framework to me when he suggested that the model of network culture that Anne and I lay out in the Place chapter of Networked Publics is spatially distinct from the one that Jameson lays out in Postmodernism, or the Logic of Late Capitalism. In that model, which was so crucial for us for so long, Jameson takes the Bonaventure hotel as his rhetorical object. Jameson sees the hotel’s notorious interior as an analog to postmodern hyperspace, its bilaterally symmetrical interior simple in plan but impossible to navigate in reality. For Jameson, this condition represents the postmodern entanglement of the subject in a system that has no exterior, a system that the subject can no longer take an outside vantage point in order to map. But this is still a Euclidean space. Being inside it is the reason the subject can’t map it. In contrast, Mark noted that the condition of spatiality that Anne and I describe is entirely different. In this model (even if this is an AUDC project and goes unmentioned in the Place chapter), my rhetorical object is One Wilshire (which has indeed been as important to me as the Bonaventure was for Jameson), a structure that seemingly exists in one space but in fact defines many superimposed simultaneous environments.
So, Mark pointed out, at the very core of Jameson’s theory, we find a condition that is very different from ours. To be sure, we’ll continue mapping, something I suggest in this essay, but placefinding is going to be a very different thing indeed under network culture.
All that said, there have been some revisions to the text in the last iteration and I’m quite happy with the chapter and the voice that Anne and I developed during our year at Networked Publics. See here for Place.