finding the flexible personality

What am I trying to do with the network culture book? Very much what Brian Holmes sets out to do in his essay the Flexible Personality. Toward a Cultural Critique. This is one of the best things I’ve read in a while. In an era that undoes its historicity, it’s more urgent than ever to understand the present historically. In an era that undoes critique, it’s more urgent than ever to critique.

Make no mistake, I don’t set out to sing the praises of network culture.

There are plenty of people who do that. Sure, there are tactical necessities to arguing against increasing restrictions of copyright or for network neutrality or in praise of amateur cultural production. Don’t get me wrong on that, but let’s not lose sight of the big picture. This isn’t a happy ending for class struggle. Or did you notice that the über-class is getting richer and richer while we live paycheck to paycheck? As Deleuze wrote in one of his moments of greatest lucidity, "The coils of a serpent are even more complex that the burrows of a molehill." Most definitely. 

 

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where is the good new architecture?

Where is the good new architecture? Name five significant buildings done in this century. I dare you. I can think of Porto and the Seattle Public Library and the list ends there.

Take this article from New York Magazine on the architecture of the last building boom. None of it is great. I don’t think any of it is good. Most of it is mediocre. A lot of it is awful. Architects not only got drunk on the methylated spirits of the last building boom, they went blind as a result. As a historian I seem virtually nothing of worth in this decade. Recently I had to give a lecture on the architecture of network society and I found plenty of it by OMA, MVRDV, Herzog and de de Meuron, FOA, and others. Unfortunately all of it was from the last century. Am I getting old? I ask my younger friends and they can’t identify anything good new either. CCTV? That is a sad joke, an example of a once great architect doing a lousy imitation of Peter Eisenman for an evil client. I can’t take it seriously. Good thing Corb never worked for Mussolini. You can only imagine what he would have done. Overexposed and uninteresting, I predict CCTV will sink like a rock. Gehry hasn’t made a single good building since Bilbao, although he has built some unbelievably awful structures at MIT and on the West Side Highway. Herzog and de Meuron are boring beyond belief. I guess whatever talent worked for them in the 1990s went its own way. It’s bad out there.

What’s really sad is that for most of these architects, this was the last opportunity to build in their lifetimes. The boom is gone for good and if people were wary of architecture before, they will run from it now. I’m waiting for the museums caught up the Bilbao-effect to close their doors.

Please prove me wrong. Name five significant buildings done in this century. I very much doubt I will agree.

on postindustrialism and thinking dangerously

Two “posts-” occupy my thoughts this morning. First post-criticism. I’ve suggested that the models of thought operative in post-criticism are tied to the economic collapse, but as always, I’m interested in the need for post-criticism to have emerged in the first place. Post-criticism came about out of growing frustration with how critical theorists deployed theoretical impasse to prevent new thought. Tenured critical theorists, eager to safeguard their own positions by ensuring that a new generation would never achieve tenure-track, let alone tenure, found it profitable to argue that any new theories were insufficiently theorized one way or another. Only microhistories or inconsequential theories would be permitted.

Take for example, a relatively recent colloquium at Columbia, when I proposed to our esteemed visitor (who remains nameless to protect his naive innocence) that the reason that we don’t periodize is because our culture has lost the ability to think of history temporally. He responded brusquely that periodization was simply wrong and that was why we did not do it.

At the same time he still talked about the “modern” and the “postmodern” or the “baroque” and the “renaissance”  as if these were somehow universal categories and not historical periods, that is products of historiography. His desire to extinguish any new theories—no doubt founded on the fact that he couldn’t up with a single idea with any traction in the last fifteen years—had become so dominant in his mind that he was unable to see that he had become thoroughly uncritical.

No wonder the post-critical crowd ran.

Or take another historical problem. Many Marxists became flustered by the idea of post-industrial society (the second “post-” in my thoughts today). For one, they suspected the enthusiasm of many of its proponents, who suggested that traditional class relationships were being remade under it. They also didn’t understand how post-industrial society could fit into their historical framework. After all, Marx didn’t account for it. And, after all, post-industrial society still requires industrial production to reproduce itself, right ?

So now we have a problem. The theory doesn’t mess with the reality. Most of us DO live in post-industrial societies. Take a look at the CIA World factbook’s 2007 estimates of the composition of GDP in world economies.

 United Statesagriculture 1.2%industry 19.8%services 79%
 Chinaagriculture 11.3%industry 48.6%services 40.1%
 Japanagriculture 26.5%industry 26.5%services 72%
 European Unionagriculture 2.1%industry 27.1%services 70%
 Worldagriculture 4%industry 32%services 64%

In not adequately addressing the consequences of a world economy that has long since left manufacturing behind as the dominant sector of production, we shortchanged critical thought on the topic.

What does it mean to be living in an economy that has subsisted on froth for three decades?

Now is not the time for theoretical impasse and microhistories. But can historians and theorists dig themselves out of this situation? The theoretical shut-down of history and theory mimics other conditions of stalemate in society (more on these in a later post), but historians and theorists can think outside that shutdown by thinking not just differently but dangerously. Let’s see if we rise to the occasion.

sometimes sharing is not caring

Mark Evans feels digitally inundated today. The massive amount of constantly updated information, particularly from the firehose of data produced by social networking sites from Delicious to Flickr to Facebook) is crushing him. He points to a post by Techcrunch blogger Eric Schonfeld (curiously, someone I knew in college) about Friendfeed in which Schonfeld similarly calls for help (actually he says “kill me now”).

To be sure information overload is a major issue for us today. But here’s another danger with the “new economy”: as we’ve converted to a service economy, we’ve produced so much “experience” that we’re massively overloaded. Not only are we overloaded by all these feeds, we’re overloaded by experiences. We pile signature work of architecture atop signature work of architecture, smash movie on smash movie, fashion on fashion, gadget on gadget. But we’re bored of it. Crisis in capitalism are typically crisis of over-accumulation: too much money has been made (not by you) and people stop spending. This crisis is a bit more complex, but make no mistake, there is massive over-accumulation out there. Apart from all the cheap junk produced in China by exploited laborers, there has been far too much experience out there. Please, we don’t want anymore. In high school in the 80s, stuck in a rural community in Western Massachusetts, I was bored to tears by the lack of information around me. Connectivity, at that point, was over a 2600 baud modem so you can imagine how limited that was. Still, it was a lifeline. Today I can be endlessly amused until the end of my years by what’s already available online, I don’t need anymore. Sometimes sharing is not caring.

I called the collapse of the real estate market years ago (some day I’ll check to see when, but I’m pretty sure it was before Nouriel Roubini, no offense intended). I’m calling the collapse of the experience economy. Moreover, it has already happened.

will the creative class be the new blue collar class?

I have been reading Nicholas Carr’s The Big Switch: Rewiring the World, from Edison to Google this week and I am going to put up a post with my reaction sometime relatively soon. But suffice it to say that it should be mandatory reading list for everyone with a passing investment in where network culture is heading. At the Guardian the other day, Carr expanded on his argument by proposing that one consequence of the move toward utility computing would be a decline in white collar jobs. See here.

Carr’s observations dovetail with the Writer’s Strike… Hollywood is one of the few places in the country that still has a powerful and—on the ground at least—popular union system. I wish the union well, of course, but after reading Carr’s article I can’t help but think that this is a nasty byproduct of network culture. Maybe the studios—themselves big media dinosaurs—think that the only way they can come to terms with the changing conditions in the industry is to dig in their heels? Is this Detroit or Pittsburgh in the early 1980s? 

 

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duck!

Whenever I walk from to Sunrise Mart for lunch, I make it a point to avoid the construction site on Spring and Varick.

After all, anything by Donald Trump and Bovis Lend Lease can’t be good. In terms of quality or safety, New York’s construction is little better than Los Angeles’s, even if the buildings appear to be made of real materials such as steel instead of wood.

So, it is that a scant three days after I told my friend Mimi that we were not, under any circumstances, walking under the scaffolding at that site she sends me this item: Worker is Killed in Accident at Trump Soho Tower. Another outrage from the man who put "You’re Fired!" on national television. Of course the global élite that will inhabit this structure one day will be to uninformed to notice, but just think of the quality of construction in the building. Nice place to live.  

 

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malcolm gladwell on victor gruen, malls, and assett depreciation after 1954

In the "Terrazzo Jungle," a New Yorker article from 2004, Malcolm Gladwell recounts the history of the shopping mall and the role of Victor Gruen, the Viennese crusader for the shopping mall as a new form of urbanity in the 1950s United States. Gladwell points to a little known change in the 1954 Internal Revenue Code that allowed developers to write off their investments much more quickly, stimulating them to make ever bigger shopping centers and, in so doing, undoing America's downtown retail districts.

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