I will be appearing alongside Leah Meisterlin (formerly of the Netlab) and authors Astra Taylor and Andrew Blum today at noon in Ware Lounge (on the 6th floor of Avery Hall) at Columbia University's Graduate School of Architecture, Planning, and Preservation to discuss the impact that digital technology is posing on architecture, cities, and most of all our lives. Topics to be discussed will likely include data centers, debt, oversaturation, creative workspaces and the tyranny of fun, together with ways to make all this better. Hope to see you there if you are in the area!
I am delighted that tonight I will be participating in a reading from my colleague Michelle Fornabai's book ink Or “V is for Vermilion as described by Vitruvius” An A to Z of Ink in Architecture.
I will be speaking the California College of the Arts in San Francisco tonight, October 21, 2013 at 7pm. My lecture will address the Yerba Buena show "Dissident Futures," for which I wrote a catalog essay as well as the topic of research and (fictional and non-fictional) speculation in architecture, ending with a presentation of work by AUDC and the Netlab. If you are in the area, I hope to see you there.
I have a very full schedule this fall, with six talks, five of which are outside of the New York area. It’s a great privilege to be invited to participate in so many incredible venues and I hope this gives me a chance to see old friends and make new ones in the various locations I will be visiting.
24 September, Lūžio taškas (Breaking Point), Palanga, Lithuania
09 October, Image.Architecture.Now, Julius Shulman Institute, Woodbury University, Los Angeles
12 October, Once Upon a Place, 1st International Conference on Architecture and Fiction, Lisbon, Portugal
14 October, Who Owns Images, panel discussion with Geeta Dayal, Thomas Demand, and Sam Thorne, Frieze Talks 2010, London, England
07 November, Datacity, Amber Conference, Istanbul, Turkey
18 November, Design and Existential Risk, Parsons The New School for Design, New York, NY
Last but not least, the New City Reader, a collaboration with Joseph Grima and many amazing individuals and networks in the form of a print newspaper starts October 5 at the New Museum. This is a sneak preview. More soon.
It’s been a whirlwind semester. I just got back from another delightful trip to Ireland. Next up is one of four remaining lectures for the fall, an appearance in Ed Keller’s symposium Shockwave Riders: Collective Intelligence & TransDisciplinary Pedagogy at Parsons on the 14th. I’m very much looking forward to the event and look forward to seeing many of you there.
The only down side to all my travel and appearances is that I’ve had precious little time to blog or, worse yet, work on my book. On the other hand, some of the upcoming talks—including this one at Parsons—are prompting me to make progress on those fronts. I am looking forward to that.
I will be speaking next week and the week after at Harvard's Graduate School of Design.
My first talk, "Tourism of the Void," an analysis of Quartzsite, Arizona, is part of the Desert Tourism conference. I will be speaking in the Imagining the Desert Panel beginning at 2.15pm on April 4. According to the organizers,
This conference on desert tourism seeks to analyze the relationship between tourism and the sustainable development of the populations, architectures and landscapes of arid regions. Its main purpose is to provide a meeting platform for students, academics, researchers, and organizations, which have studied or implemented tourist projects that integrate the development of their surroundings and to discuss issues raise by desert tourism.
My second talk, "History of the Eye," on the formalism of the Cornell-Cooper schools in architectural education is part of Studioscope: Design and Pedagogy. I will be speaking in Session II, Histories of the Studio Form, 9-11am on April 13.
In this case,
This symposium and subsequent publication will bring together preeminent design teachers and scholars to examine the historical emergence, contemporary complexion, and future prospects of the design studio. Focusing on those technical, representational, and procedural aspects of the design studio that make it a distinct pedagogical model, the symposium will illuminate and critically rehearse the approaches and schools that are most fundamental to the studio today. Both the center and borders of the studio genre will be explored, including, respectively, what the structure and content of core studios should encompass and innovative models of studio instruction from analogous fields.
So bear with me if I don't post as often as I should in the next few weeks. ¬†